Family Collectors
A family who collects seriously, in a house that doesn’t announce it. A classic house, and inside it one of the most significant collections we’ve ever built: Nick Cave, Hank Willis Thomas, Mary Weatherford, Phillip K. Smith III, Gisela Colón, Vivian Springford, Ashley Longshore, Katherine Strause, Jen Mann, and many more.
They love light and space. Not as a category to check off, but as a way of living: Smith’s color fields and Colón’s luminous forms in rooms where the family eats breakfast and does homework. When the architecture stays quiet, the collection becomes the architecture. That’s harder than it sounds. Every decision about where a work hangs became a decision about how this family moves through their day.
What I loved most was their daughters. Every time we came to meet or to install, the girls sat in. Listening, talking, asking questions, wanting to know about what they lived with. They weren’t being polite. They wanted to understand the things on their walls, and by the end they could tell you who made what and why it was there. That’s a collection working. It isn’t stored; it’s lived with, all around, every day, and it’s raising the next people who’ll care.
Significance in a collection has to do with the decisions, made one at a time, over years, by people who keep looking. This family kept looking, and they taught their kids to.