Select Case Studies.
These are the ones I tell people about. A candy shop, a Wright house, a bank, a field, a dome, a home, a bar with fifty years of music in the walls. I find what’s real about a place or an idea and build the room, the collection, or the show that lets everyone else feel it too.
I WANT CANDY
A bare commercial shell and a client I talked into going all the way. Superfine, Bentonville. Full design and creative direction.
Buckminster
Fuller’s
Fly’s Eye
Dome
Buckminster Fuller looked at a fly’s eye and saw a house anyone could afford. A year of work to install his 50-foot prototype, permanently, in the Ozarks. Curatorial and interpretive direction.
HIGH ON AUSTIN
Thrity-seven floors up, a penthouse by Fern Santini and Michael Hsu. Brough in as art advisor to build a collection that could meet it. Art Advisory.
ART IS HOSPITALITY
An 1880s farmhouse turned private members club, with the collection as foundation, not finish. Blake Street House, Bentonville. Art Advisory, Arts Programming, Creative Advisory.
FIELD.
SUN.
AIR.
In 2020 the studio commissioned Katherine Strause to paint eleven canvases for an exhibition with no walls.
A Corporate Headquarters
A headquarters, every floor, and a collection that gave the people inside it something to talk about. Art advisory and collection development.
RIGHT ON WRIGHT
Curatorial lead on the rescue, relocation, and reinterpretation of Frank Lloyd Wright’s 1954 Bachman-Wilson House.
OBJECTS OF A LIFE
A couple downsizing in the American South. not what to acquire, but how to listen to what was already there. Full design and art advisory.
Heavy Metal
Five years to put two permanent sculptures on a mountain. Kennedy Yanko and Linda Lopez at Pinnacle Mountain State Park, the first art at this scale on Arkansas state park land. Curatorial direction, artist search, and commission management.
COLLECT ME
Traditional architecture. A fearless contemporary collection. years of close work to make the two inseparable. Art advisory and collection development.
GIVE ME SHELTER
Crystal Bridges’ first outdoor architecture exhibition. Five firms, four years, one question: what does home actually mean? Conceived and curated.
ALL OR NOTHING
A gift from Anges Gund, an Ellsworth Kelly, put fifty-five works from four centuries in one room with nothing in common but two colors. Conceived and curated.
Oven
& Tap
A wood-fired restaurant on the Bentonville square that wanted to be part of the art scene instead of watching it. Three exhibitions over several years. Cultural direction.
SMALL and SATURATED
A guest cottage in Little Rock, rescued from a half-century of half-finished renovations and given its rooms back. Full design.
In Process
Citizens Bank
A family bank in Batesville, AR rebrands and art becomes a way of expressing their history and place. The executive floor, the boardroom, and then the branches. Art advisory and collection development.
Show Me Something Good
Travel programs for the Santa Barbara Museum of Art. Marfa, the Ozarks, Los Angeles, Chicago. Getting a room full of serious people to slow down and see. Program design and host.
ALL AROUND COWBOY
A photo editorial for Mood Swing, shot at the White Water Tavern, the Little Rock juke joint whose walls hold every word ever sung in them. Creative Direction.
TEXAS SKY
Full interior scope, kitchen to patio. Texas architectural history meeting modernist clarity, in materials that make your heart sing. Full design.
IN PROCESS
Family Collectors
A family, a classic house, and one of the most significant collections we’ve ever built. Their daughters sat in on every meeting. Art advisory and collection development.